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MiniReview: “Deathless”, Catherynne M. Valente.

Libro consigliatomi dalla mia anima gemella, inutile dire che l’ho amato moltissimo – e non c’erano dubbi a riguardo, perché quando una persona è la tua anima gemella, lo è persino nei libri che legge e ti impone di leggere. Chiusa questa piccola, ma doverosa, premesse, vi auguro un buonissimo inizio di settimana!

Titolo: Deathless (Deathless #1)
Titolo originale: Deathless (Deathless #1)
Autore: Catherynne M. Valente
Editore: Corsair
Pagine: 352
Anno: 2011

A glorious retelling of the Russian folktale Marya Morevna and Koschei the Deathless, set in a mysterious version of St. Petersburg during the first half of the 20th century. Child of the revolution, maiden of myth, bride of darkness.
A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya’s fate.
Koschei leads Marya to his kingdom, where she becomes a warrior in his tireless battle against his own brother, the Tsar of Death.
Years pass. Battle-hardened, scarred by love, and longing for respite, Marya returns to St Petersburg – only to discover a place as pitiful as the land she has just fled: a starveling city, haunted by death.
Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.

COSA MI È PIACIUTO

  • L’ambientazione. La Russia della Rivoluzione è un una parentesi spazio-temporale che ha su di me un fascino incomparabile, mi prende e non mi lascia più andare, e la Valente è stata capace di ricostruirne uno spaccato che è così vivido, così reale, così assolutamente particolare da lasciare senza fiato. Pagina dopo pagina, l’impressione di non essere più nella mia cameretta a Forlì ma in un paese dai contrasti violenti, opulento anche nella miseria, affilato d’inverno e generoso d’estate si è fatta via via più forte, fino a sradicarmi totalmente dal mio presente per catapultarmi in un mondo dove realtà e folklore sono così sapientemente calibrati da rendere impossibile distinguere il punto esatto dove uno inizia e l’altro finisce.
  • I personaggi. Costruiti magistralmente, sviluppati in maniera coerente e mai banale, unici, inconfondibili, con voci talmente particolari da saltare letteralmente fuori dallo schermo del kobo e prendere vita davanti ai miei occhi, trascinandomi in un mondo vivido quanto loro. Marya, Koshei, Ivan, tutta la schiera di creature prese in prestito dal folklore russo… non c’è davvero modo per descrivere a parole la straordinaria personalizzazione che l’autrice ha saputo cucire su ogni nome, facendo vivere l’inchiostro, dandogli la forma di qualcosa di unico e irripetibile.
  • La storia. Eccezionale. Non c’è niente da fare, la Valente ha fatto bene i compiti e si vede: il contesto storico è impeccabile, la trama vi s’incastra con una naturalezza strabiliante e la narrazione scandisce un ritmo maestoso, mai troppo veloce o troppo lento, snodandosi attraverso gli anni senza fatica, accompagnando il lettore attraverso le ombre e le luci di una terra dai contrasti vibranti e il passato imponente. Fiaba e realtà si mischiano, amalgamando un racconto che coinvolge e cattura, che rende impossibile immaginare che sia solo frutto di una fantasia straordinariamente feconda e sapientemente utilizzata.
  • Lo stile. Perché si, per quanto il mio inglese non sia tale da permettermi di apprezzare le più piccole sfumature di una lingua che non è la mia, devo riconoscere che il modo in cui questo libro è scritto ha qualcosa di magico. Le parole hanno una consistenza che buca le pagine – o lo schermo del kobo, nel mio caso – e un sapore che è difficile ignorare, figuriamoci dimenticare.

“Deathless is a fairytale”, scrive Giovanna su Goodreads, “and is as dark and sweet and lovely as only a fairytale can be”. Ed è proprio così, senza mezzi termini e senza mezze misure: la scrittura non è che l’ennesimo riflesso di un libro ben scritto, ben pensato e ben costruito, che vi ruberà il cuore senza mostrar segni di rimorso, consegnandovi ad un mondo che che vibra di ombre e luce, facendosi ora metafora e ora fotografia, respirando magia e cruda realtà, costringendo il lettore a piegarsi alle ragioni della leggenda popolare che si anima e s’impone in una realtà impregnata di gelido, crudele cinismo.
Leggetelo, amatelo, custoditelo con cura: non vi deluderà.

Let the truth be told: There is no virtue anywhere. Life is sly and unscrupulous, a blackguard, wolfish, severe. In service to itself, it will commit any offense. So, too, is Death possessed of infinite strategies and a gaunt nature- but also mercy, also grace and tenderness. In his own country, Death can be kind.


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#51 Teaser Tuesday!

Un po’ tardi, forse, ma che dire? Le atmosfere di questo libro mi hanno fatto perdere totalmente la cognizione del tempo e, beh, il teaser di oggi parla da sé: una scena meravigliosa.

In the deepest, most hidden room of the Chernosvyat, whose ossified cupolas shone here and there with silver bubbles and steel cruciforms, Koschei the Deathless sat on his throne of onyx and bone. His eyes drooped, redly exhausted, from weeping or working or both. Before him, on a great table formed from the pelvic dish of some impossibly huge fish, lay scattered maps and plans and letters, papers and couriers’ boxes, photographs and sketches, books wedged open, upside down, splitting their spines. Marya Morevna entered, her hunting costume half-open in the heat of the place. The dark walls of the Chernosvyat often seemed to breathe, and their breath came either brutally hot or mercilessly cold. Marya never knew which to expect. Silently, she walked around the long table and let a single golden feather drop. It drifted lazily down to rest on a requisition form. It no longer flamed, but glowed with a soft amber light.
“I would have preferred it living, volchitsa,” said Koschei, without looking up.
Marya shrugged. “It only died just now, as much of exhaustion from the hunt as the bullet.”
Koschei rose from his papers and drew her to him, bending to kiss her collarbone.
“I am proud of you, of course, beloved, baleful. But you must realize that you have only added a firebird to Viy’s cavalry. A black, flameless thing, its bony wings bearing ghost-pilots with their arms full of ordnance.”
Marya Morevna shut her eyes, savoring his lips on her skin as she savored the slab of black bread, buttered and spread with roe, once, long ago.
“It was hiding a clutch of eggs,” she breathed as he gripped her hair and tilted her head to show her throat, pale and bare. “In a short while we shall have enough firebirds to pull a siege tower, and still have one or two left over to light the hearth when we return.” His weight against her chilled and wakened her skin. She smiled against his dark glove. “Besides, it was tradition, once, for a suitor to fetch a firebird’s feather to show their good and marriageable qualities.”
“I know your qualities.”
Marya said nothing. She did not feel an urgency to marry, exactly—nothing like her sisters, who had longed for it like the prize at the end of a long and difficult game. But she did feel that as long as Koschei kissed her and kissed her and did not marry her, she remained a child in Buyan—a cosseted tsarevna, but not a Tsaritsa, not a native. A human toy. She did not care whether he gave her a ring—he had given her dozens, of every dark and glinting gem—but she did not wish to be a princess forever. Koschei picked up the knife he had been using to open couriers’ seals and looked up at her speculatively. Reaching up, he slowly sliced off the buttons of her hunting dress.
“If you keep cutting at me I shall have no clothes left,” said Marya Morevna. The gems in her hair clattered against one another as he cupped her skull in one large hand. With the other, he cut away the skirt of her dress in a stroke, like peeling the skin off a red, red apple. His hands burned coldly on her. She felt, as she could always feel, the bones of him beneath the skin of his fingers, his hips. Then he hardened, his skin becoming warm and real and full. A skeleton, always, embraced her first, and then remembered to be a man. She understood—had he not told her?To be Deathless is to treat with death in every moment. To stave death is not involuntary, like breathing, but a constant tension, like balancing a glass on the head. And each day the Tsar of Life fought in his own body to keep death down like a chastened dog. Koschei dug his nails into the small of Marya’s naked back; blood welled in tiny drops. Marya cried out a little, her breath thin and quick, and he lifted his thumb to his lips, suckling at the little smear of her blood. His cheeks, always gaunt, hung with shadows, and he watched her with a starveling’s eyes. But that did not frighten her anymore. Her lover often looked starved, hounded. She could kiss those things from him, and often did, until his face waxed seraphic, soft, smooth—as anyone can do for her mate when the day is long and hard, and solace far off. She thought nothing of it now, of kissing him alive. Everything in this place was livid and lurid and living, and when he loved her and hurt her all at once she lived, too, higher and harder than she had thought she could. Yes, she thought, magic is like that, when it comes. Like the fountains of blood, the houses of skin and hair, Koschei had long since become home. So Marya smiled as he bit her shoulders, feeling infant bruises bloom invisibly under her skin. Tomorrow I shall wear them like medals, she thought as he lifted her up onto the wreckage of field maps and mechanical diagrams.
“Koschei,” she whispered against his neck, where his dark hair curled. “Where do you keep your death?”
Koschei the Deathless lifted the calves of Marya Morevna around his waist and sank into her with the weight of years. He moaned against her breast. It stopped her breath, how like a child the Tsar of Life became when he needed her. The power she had over him, that he gave her. Who is to rule, that is all.
“Tell me,” she whispered. She wanted that, too. She wanted so much these days, everything she touched.
“Hush, you Delilah!” He thrust against her, the bones of his hips stabbing at her soft belly.
“I keep nothing from you. I befriend your friends; I eat as you eat; I teach you the dialectic! If you will not take me to wife, at least take me into confidence.”
Koschei squeezed his eyes shut. He winced with the force of his secret, his climax, his need. As he gripped her tighter and tighter, Marya thought his face grew rounder, younger, as though breathing in her own youth.
“I keep it in a glass chest,” he gasped finally, pushing her roughly back over the stacks of predicted troop movements, his fists caught up in the infinite mass of her hair. “Guarded by four dogs: a wolf like you, a starved racing hound, a haughty lap pup, and a fat sheepdog. All their names begin with the same letter, and only I know the letter.” He shut his eyes against her cheek as she arched toward him like a drawn bow. “And only someone who knows their names can reach the chest where I keep my death.”
Koschei cried out as though he were dying. He leaned against his love, his chest shaking. She held him, like a baby, like her own. And it did not escape her that speaking of his death excited Koschei somewhere deep inside, as if the proximity of it, even the word itself, sizzled electric in his brain.
“Will we win, Koschei?” she whispered. The room went suddenly frigid, frost gathering at the tall windows. “Will we win this war?”
“War is not for winning, Masha,” sighed Koschei, reading the tracks of supply lines, of pincer strategies, over her shoulder. “It is for surviving.”

A glorious retelling of the Russian folktale Marya Morevna and Koschei the Deathless, set in a mysterious version of St. Petersburg during the first half of the 20th century.
Child of the revolution, maiden of myth, bride of darkness.
A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya’s fate.
Koschei leads Marya to his kingdom, where she becomes a warrior in his tireless battle against his own brother, the Tsar of Death.
Years pass. Battle-hardened, scarred by love, and longing for respite, Marya returns to St Petersburg – only to discover a place as pitiful as the land she has just fled: a starveling city, haunted by death.
Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.

 


1 Commento

#50 Teaser Tuesday!

Un post alla volta, devo un po’ impormi di riprendere il ritmo. Ammetto di avere la testa altrove, presa da altre persone e altre questioni, e che per come sono fatta dovrei fare tutto tranne che sentirmi sotto pressione perché non mi riesce di scrivere recensioni o, peggior ancora, leggere libri. Eppure ammetto di sentirmi un po’ come se stessi mancando un dovere fondamentalmente, quindi ho bisogno di una giusta via di mezzo… motivo per cui oggi vi lascio un teaser, rigorosamente spoiler free, dalle pagine del libricino meraviglioso consigliatomi da una delle mie persone preferite in assoluto. Il titolo è “Deathless“, l’autrice Catherynne M. Valente, e lo sto davvero davvero davvero amando.


In a city by the sea that was certainly never called anything so bourgeois as St. Petersburg, there stood a long, thin house on a long, thin street. By a long, thin window, a young woman in a pale blue dress and pale green slippers watched her new neighbor arrive in the house next door. An old woman clutching her suitcase, shrouded in a black wool dress, very tall and thin, whose waist was so stretched and skinny that Marya could have put both her hands around it. The woman’s fingers were amazingly long, her nose sharp and spiked, and her white hair pulled tightly back into a bun. She walked with a limp and a hunch, but Marya suspected that this was to hide how tall she truly was.
“That’s Comrade Likho,” said one of Marya’s twelve mothers, darning an ancient stocking. “A widow with no children. She says she’ll take in all our laundry, the dear old thing. I thought it might be nice if you visited her after school. She could tutor you, watch out for you while I’m at the factory.”

Marya did not like this idea at all. In a classroom she could think her own thoughts and no one would bother her—no teachers called upon her anymore. With a tutor, she could not avoid being asked her opinions. She frowned down at the hunchbacked Likho. The crone stopped and looked up at the window, the turn of her head fast and sharp, like a bird’s. Widow Likho’s eyes were black and huge, as though they had drooped and melted and slid down into her cheekbones. Her gaze was barbed and biting. The cherry trees dropped their blossoms across Likho’s black dress, and she scowled.
“You shouldn’t be frightened of old ladies,” admonished another of Marya’s mothers—the one, by coincidence, who had borne her. Marya knew she should not show favoritism, but her mother’s hands looked so thin, the skin so dry, she wanted to clap them between her own, to warm them and make them red again. “You’ll be one someday, you know.”
The widow Likho stared up at Marya’s window. Slowly, like ice sliding across a plate, she smiled.


A glorious retelling of the Russian folktale Marya Morevna and Koschei the Deathless, set in a mysterious version of St. Petersburg during the first half of the 20th century.
Child of the revolution, maiden of myth, bride of darkness.

A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya’s fate.
Koschei leads Marya to his kingdom, where she becomes a warrior in his tireless battle against his own brother, the Tsar of Death.
Years pass. Battle-hardened, scarred by love, and longing for respite, Marya returns to St Petersburg – only to discover a place as pitiful as the land she has just fled: a starveling city, haunted by death.
Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.